("Tell Me Have You Ever Seen Me"), there's nothing much going on here. The originals are weak, and except for a fantastic, hard-rocking recycled A-side ("All Or Nothing") and a second good rocker that itself was recycled for There Are But Four. It repeats two A-sides from the first LP that aren't so great to start with, being neither original nor well-performed ("Whatcha Gonna Do About It" "Sha-la-la-lee"), and is padded out with a half-dozen cover versions of American soul, R & B, and girl group hits ("Runaway" "Baby Don't You Do It" "You Really Got A Hold On Me") that make the band sound like it was years behind its competitors.
(JA)Ī pathetic cash-in by the Small Faces' original record company that came out only a month before their debut on Immediate. Not to be confused with the later Immediate records debut album, which was given the same name in its British release. The singles from this period, which are available on a compilation CD that includes the following album, are uniformly amateurish and derivative.
I don't have this, and there's every indication that it's not worth spending money on. Group disbanded, 1975 briefly reformed with Marriott, Shirley, Anthony "Sooty" Jones (bass) and Bob Tench (guitar, vocals), 1980. Frampton replaced by Clem Clempson (guitar, some keyboards, vocals), 1972. Humble Pie - Peter Frampton (vocals, guitar, some keyboards) Steve Marriott (vocals, guitar, keyboards) Greg Ridley (bass, vocals) Jerry Shirley (drums, some keyboards, vocals). Marriott quit to form Humble Pie, late 1968. The Small Faces - Kenny Jones (drums) Ronnie Lane (bass, vocals) Ian McLagan (keyboards) Steve Marriott (vocals, guitar, occasional keyboards). It's little more than a big ad for Frampton's latest album, and thanks to their abhorrently crass attitude we won't link to them. There's also a shamelessly commercial official Peter Frampton web site that prostitutes itself, for example, with a link section that's just a bunch of music store advertisements, a fan section that's just a CGI ploy to get you on to their mailing list, and a shitty discography. Some of the more interesting features include a very thorough recent news section and a running vote on the fans' favorite songs. Tbe Small Faces have an excellent fan-run web site called Room for Ravers. Alas, tragedy seems to have followed the band around: Lane contracted MS in the late 70s, was forced to retire from performing, and eventually died of the disease, while Marriott lost his life in a 1991 house fire while on a break from working with Frampton on a reunion project.
#Humble pie fool for a pretty face how to#
In any event, Marriott's original band knew how to pump out a commercial, hard-rocking A-side, and their later records are a fascinating counterpoint to the rest of the British R & B scene. Humble Pie did get much better as it went along, and not coincidentally they later sold a ton of records themselves. The first record that Marriott cut with Frampton provides only small hints of Marriott's theatrical genius and Frampton's, uh, well, Frampton's whatever - the guy did go on to sell a zillion records as a solo artist, I like his 70s solo albums, and he was clearly a better guitarist than Marriott. Ironically, the new Faces turned out to be a heck of a lot better than the early Humble Pie - which isn't saying much.
See our page on the Faces for more on the band members' many later exploits. When Marriott abruptly quit to form Humble Pie with Peter Frampton, the remaining band members renamed themselves the Faces, absorbed Rod Stewart and Ron Wood, and promptly metamorphosed into, well, the second-best bluesy early 70s English rock band, after the Stones. Marriott handled the guitar, most of the emphatic lead vocals, and the teen idol quotient, while Lane labored quietly to give the group some well-crafted, if musically primitive song material. The band's success rested on the songwriting team of Steve Marriott and Ronnie Lane.
#Humble pie fool for a pretty face mod#
Like their less strictly Mod but more commercially and artistically successful competitors, they were heavily influenced by James Brown and the Beatles, adding a psychedelic sheen to hard-hitting R & B. Someone's got to be second-rate, I guess, and the Small Faces unfortunately spent their career being the second-best Mod band, after the Who. King Biscuit Flower Hour Presents Humble Pie.
The Small Faces, Humble Pie, and Peter Framptonįrom The Beginning - There Are But Four Small Faces - Ogden's Nut Gone Flake - All Or Nothing - As Safe As Yesterday Is - Town And Country - Rock On.
0 kommentar(er)
